|
|
|
|
FILM SERIES |
September 11-25, 2009
Steina Vasulka, still from Bad, 2:04 minutes from Ten, short works by Steina Vasulka, September 18; the shortest, Bad. Selected Works of the Vasulkas During the mid-1960s and early 1970s the Vasulkas began experimenting with real time video image manipulation including audio modulations of the live video signal. |
September-November, 2009
Jim Jarmusch, Stranger Than Paradise, 35mm print, black and white, sound, 89 min., MoMA Collection, Acquired from the artist. Looking at Music: Side 2 New York City, early 1970s-early 1980s, art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti-establishment ethos. |
February 13, 2009-February 27, 2009
Chris Marker, still from La Jetée, Time and Event The nature of film is 25 still images per second. Films in this program use diverse strategies for organizing and experiencing still images as cinematic events. |
January 15-February 28, 2009
Alex Rivera, Sleep Dealer, This gorgeously filmed feature debut is set in a near future marked by airtight international borders, Expanding the Frame The Exiles, a tribute to Bruce Conner and Derek Jarman, and a performance by Dean & Britta Set to Films by Andy Warhol highlight Expanding the Frame. |
January 14-30, 2009
Thiago Da Silva Mariz as Thiago and Izadora Cristiani Fernandes Silveira as Mother in Mutum, 2007, Brazil, Directed by Sandra Kogut. Global Lens 2009 Global Lens 2009, the sixth |
December 4-14, 2008
Still fromUn giorno perfetto (A Perfect Day). 2008. Directed by Ferzan Ozpetek. Filmmaker in Focus: Ozpetek creates films that |
October 9-November 9, 2008
Still from Les Saignantes New Cinemas from Africa African Screens provides an |
November 5-23, 2008
Still from In the Realm of the Senses In the Realm of Oshima Nagisa Oshima is one of Japan’s master filmmakers — and arguably one of its most controversial. His work is filled with conventionbreaking, from his aesthetic to the subjects he tackles. |
November 20-24, 2008
Still from Afterschool, Best Film Not Playing The third edition of Best Film Not |
October 15, 2008-November 26, 2008
Peter Doig, Peter Doig's Studiofilmclub
|
September 12-26, 2008
Still from Opening Networks Opening Networks features in-person presentations by Mark Daggett and Jon Phillips introduce their work and other projects, showing how networks and social software are reshaping community. |
August 18-December 21, 2008
Laurie Anderson, Looking at Music Looking at Music features works by video artists and film directors, including John Cage, Lucinda Childs, Nam June Paik, Michael Snow, Kenneth Anger, Jack Smith, Wallace Berman, and Andy Warhol. |
October 20, 2008-March 14, 2009
Sally of the Sawdust, 1925, Hand-Painted Film Posters 1924-28 Batiste Madalena: Hand-Painted Film Posters for the Eastman Theatre, 1924-1928 presents the work of Batiste Madalena, hired by George Eastman during the late period of silent cinema. |
October 25, 2008-April 5, 2009
Chris Marker, La Jetée, Cronostasi. Tempo filmico Un incontro tra due diverse concezioni del tempo: da un lato l’eterno presente dell’immagine filmica, che può vivere solo nel suo ripetuto svolgersi, e dall’altro il tempo passato, fermato nella fotografia. |
April 16-September 15, 2008
Michael Caine and Eleanor Bron Jazz Score Jazz Score illustrates the creative and collaborative relationship between postwar jazz composers and filmmakers, celebrating original jazz composed for film from the 1950s to the present. |
June 26-July 23, 2008
Caroline Link, July 17 and 18 Zeitgeist: The Films of Our Time Two decades of films celebrating Zeitgeist Films with the 20-title exhibition Zeitgeist: The Films of Our Time offers a fascinating snapshot of independent American and international film from the past 20 years, |
April 11-25, 2008
Peter Greenaway, The Greenaway Chronicles Peter Greenaway is a prolific filmmaker, curator, writer and developer of projects for the internet. Beginning with shorts in the 1960s through his mainstream films and most recent multimedia projects, |
March 2008
Still from Women with Vision: Past/Present Sheryl Mousley, the Walker’s film/video curator, finds thematic threads connecting the films she selects as in Women with Vision 2008, celebrating directors, filmmakers, and artists. |
|
|
